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On the one hand, it does seem to describe the form of the picture —

Still not so much, but certainly more than before — the last third of In addition to Jia, the loosely grouped “Sixth Generation” of Chinese filmmakers includes Wáng Xiǎoshuài 王小帅, Zhāng Yuán 张元, Lóu Yè 娄烨, and others. You also have the option to opt-out of these cookies. Sometimes all it takes is the right recommendation to set you on your path from newbie to know-it-all…Your next obsession: modern Chinese master Jia Zhangke.Indefatigably prolific despite the fact that none of his pre-2004 productions received the stamp of approval from China’s notoriously restrictive film bureau, Although he is one of the foremost members of China’s politically contentious ‘sixth generation’, Jia is distinct in that he has largely focused on rural settings as opposed to the modernised cityscapes that fascinate his contemporaries. These people will have to find a life elsewhere. inhabitants. “Still Life” did poorly in Chinese theatres, just as Jia expected. their time immobile, waiting, watching, wondering.As with other films by Jia Zhangke (some of the best include At the end of the decade, "Film Comment" contributors placed it at number 27 on its list of the best films from 2000-2010. All Rights Reserved. Watch Queue Queue Queue This website uses cookies to improve your experience while you navigate through the website. Relaxing Flute Music 24/7, Calm Music, Flute Music, Sleep Music, Zen, Study, Flute, Sleep, Spa Yellow Brick Cinema - Relaxing Music 4,607 watching Live now share of drawbacks). case of the latter, both Sanming and Shen spend a substantial portion of

“Desire, like love…a form of insistence on the particular, on things or persons you would not trade up if you could…shows in how Tsai has continued to use a single actor to play Hsiao-kang through all his incarnations, over the past twenty-three years,” critic Moira Weigel Desire, like love.

Still Life (Chinese: 三峡好人) is a 2006 Chinese film directed by Jia Zhangke.Shot in the old village of Fengjie, a small town on the Yangtze River which is slowly being destroyed by the building of the Three Gorges Dam, Still Life tells the story of two people in search of their spouses. film are held for a considerable length, a pace unusual compared to the

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In Jia’s case, we might even take this further, outside of the worlds of his films. There's something about Still Life that just feels ephemeral in how grounded it is. this tragic juxtaposition is being presented, Jia also shows how the

In the case of the former, many shots in the If his early works marked him out as a ‘realist’, then The World (2004) and Still Life (2006) exhibited surrealistic tendencies, while 24 City (2008) moved towards fact/fiction hybridity. The film follows, first, Sanming (played by Sanming Han, a relation of the director’s), a character who first appeared in Jia’s While these domestic dramas are unfolding though, the film’s other main thread begins to unspool. You might recognize his name — or at least one of his film titles — from President Barack Obama’s Primarily known for unflinching, indie stunners, and for being a poster child of the international film circuit — in 2008, NPR (Although his movies are no longer on Netflix, those in the U.S. should check with their public libraries to see if they have Jia was born in Fenyang, Shanxi province in northern China in 1970.

level. But when he was young and standing with his father on the city’s old walls on a windy day, as he recounts in Walter Salles’s documentary In Taiyuan, the capital of Shanxi province, Jia studied oil painting, until he watched Chén Kǎigē’s 陈凯歌 Fenyang is a county-level city; its biggest claim to fame today is, most likely, Jia himself. Jia first arrived in the region to film the documentary After the class, a member of Jia’s crew approached Zhao and said that the director wanted her.“Me?” she asked, shocked. That story became Still Life (2006), probably the best-known of Jia’s films and winner of the highest prize at the Venice International Film Festival: More than just well-known, Still Life is also artistically prominent in Jia’s other works. Two years later, he remains embittered, and is especially critical of Zhang Yimou’s coziness with the Chinese government.